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john emory bush

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jerome lenk

michael beetham

ben jones

lauren groff

kaileen miller

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John Emory BushJohn Emory Bush
Music Director and Conductor

John Emory Bush, Music Director and Conductor, began musical studies at the age of seven in his native Michigan. Trained as a conductor, pianist, organist, and harpist, he has a Bachelor’s degree from Albion College in Michigan and a Master's degree from the Juilliard School of Music. Mr. Bush has been privileged to study and coach with the distinguished conductors Leonard Bernstein, Erich Leinsdorf, Helmuth Rilling and Robert Shaw. In 1988, he was one of five musicians (and the only American) to be invited to study conducting with Antal Dorati in Bern and Basel, Switzerland. He has studied with the renowned organists Joan Lippincott, Albert Fuller and the late Leonard Raver.

During the summer of 1991, Mr. Bush joined the faculty of the American Institute of Musical Studies in Graz, Austria where he coached singers and appeared in recitals. Mr. Bush was a member of the vocal coaching and accompanying staff at the San Francisco Conservatory of Music, and director of choral activities at the College of Notre Dame in Belmont. In addition to his position as Music Director and Conductor of the San Francisco Concert Chorale, Mr. Bush serves as Artistic Director and Conductor of the Valley Concert Chorale. In August of 2000, he was appointed Director of Music for St. Matthew's Cathedral in Dallas, Texas. For the past six years, Mr. Bush has divided his time between the Bay Area and Dallas, contributing to both musical communities.

Mr. Bush has conducted the Bay Area premieres of Conrad Susa's oratorio The Wise Women; Antal Dorati's Pater Noster and Robert Levin's completion of Mozart's Requiem. He has led concert tours domestically, as well as to Mexico and France, has recorded four compact discs of choral music, and also maintains an active schedule of organ recitals. In the summer of 2005, Mr. Bush was a delegate to the 7th World Choral Symposium in Kyoto, Japan.

Mr. Bush has been Music Director and Conductor of the San Francisco Concert Chorale since 1994.

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Helmuth RillingHelmuth Rilling, Guest Artist

"Music should startle people and reach deep down inside them forcing them to reflect. It should never be merely 'comfortable,' never fossilized, never soothing." This is Helmuth Rilling's "credo." Born in 1933 in Stuttgart, Mr. Rilling is active as a conductor, pedagogue, and an ambassador for the music of J. S. Bach worldwide.          

In 1954 Helmuth Rilling founded the Gächinger Kantorei and 11 years later in 1965, founded the Bach Collegium Stuttgart as the choir's regular orchestral partner. Ever since, Mr. Rilling has been intensely involved with the works of Johann Sebastian Bach and has felt a strong link to this composer's works. In addition, Mr. Rilling has been a fervent advocate of "neglected" romantic choral music as well as commissioning and performing contemporary choral music. His latest project was a critically acclaimed premiere of "Passions" composed by Wolfgang Rihm, Sofia Gubaidulina, Osvaldo Golijov, and Tan Dun in 2000.

Furthering his devotion to Bach, in 1981 Mr. Rilling founded the Internationale Bachakademie Stuttgart dedicated to furthering the music and personality of J. S. Bach through public concerts, master classes for singers and conductors, symposia, and residencies all over the world, in addition to special annual projects such as the Bach Week Stuttgart and the European Music Festival Stuttgart. Of special importance to Mr. Rilling is the encouragement of young musicians and in 2001 he founded the Festvalensemble Stuttgart. This ensemble, consisting of choir and orchestra, draws on the participation of talented young musicians from 25 different countries.

Combining the roles of pedagogue and conductor, Mr. Rilling has devised a system of "lecture concerts" in which he says he "peers over the composer's shoulder" as he explains to the audience certain aspects of a composer's work by means of musical examples.
        
Either together with his house ensembles in Stuttgart or as a guest conductor, Mr. Rilling is active on the international concert podium, performing regularly throughout Europe, US, and Canada. He has a special friendship dating back some 30 years with the Israel Philharmonic, and since 1970 has been the Artistic Director of the Oregon Bach Festival. Upcoming engagements in North America include performances with the Toronto Symphony Orchestra (where he appears annually as part of the Toronto International Bach Festival), the National Arts Centre Orchestra in Ottawa, the Minnesota Orchestra, as well as residencies at the University of Miami, Dartmouth College, and Yale University. Recent engagements in the US include performances with the Detroit Symphony Orchestra, the Chicago Symphony Orchestra, the National Symphony Orchestra, as well as leading a Choral Workshop at Carnegie Hall that culminated in a performance of J.S. Bach's St. Matthew's Passion. In January 2005, he led a highly acclaimed premiere of Robert Levin's new completion of Mozart's Mass in C Minor at Carnegie Hall.
           
As a testament to his inexhaustible activity are hundreds of CD, radio and TV recordings. From 1970 to 1984, Mr. Rilling was the first musician to record all of Bach's Cantatas (Hänssler Classic). Furthermore, his was the guiding hand behind the Internationale Bachakademie's critically-acclaimed project to record the complete works of Johann Sebastian Bach (172 CDs) for Hänssler Classic which was released in 2000 to coincinde with the 250th Anniversary of Bach's death.  The many prizes Helmuth Rilling has received include the UNESCO International Music Prize in 1994 and the Theodor Heuss Prize in 1995. In 2003 he became an Honorary Member of the American Academy of the Arts and Sciences. He won a coveted Grammy Award in 2000 for his recording of Krzystof Penderecki's Credo and was again nominated in 2001 for his recording of Wolfgang Rihm's "Deus Passus."



Jerome LenkJerome Lenk
Assistant to the Director and Accompanist

Jerome Lenk began his musical studies in piano at the age of seven and the organ at age nine. He holds the Master of Fine Arts degree in performance from The University of Iowa and the Bachelor of Music degree in piano performance with an organ minor from Central Methodist College, Fayette, Missouri. His principal teachers have included Thomas Yancey, John Ditto, John Simms and Delores Bruch. Mr. Lenk is currently Director of Music and Liturgy for Mission Dolores Basilica in San Francisco, where he has served as organist and assistant choir director since 1989.

He has performed organ concerts and conducted the outstanding Mission Dolores Basilica Choir in the United States, Mexico and Italy. Additionally, his extensive experience as a vocal coach and accompanist has included affiliations with the San Francisco Opera, Opera San Jose, Western Opera Theatre, the Bay Area Summer Opera Theatre Institute, San Jose Symphony, San Jose/Cleveland Ballet, San Jose State University Opera Workshop, and The University of Iowa. He has been privileged to accompany for such notables as Robert Shaw, Giorgio Tozzi, and Eugene Butler.

Mr. Lenk is active as a recitalist and accompanist, and maintains a private studio. He has a recording of organ music from the Basilica entitled A Dedicatory Recital. He conducted a recording of the soon-to-be-released Basilica Choir, featuring music of their recent tour to Mexico. He has made regular appearances with several Bay Area choruses, including the San Francisco Concert Chorale, the Valley Choral Society, the San Jose Choral Project, and Masterworks Chorale of San Mateo.

His professional memberships included the American Guild of Organists, The National Association of Pastoral Musicians, and Phi Mu Alpha Music Fraternity.

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Michael Beetham, Bass Section Leader

Michael Beetham, baritone, has appeared on the operatic stage as Bob (The Old Maid and the Thief,) Count Almaviva, Guglielmo, Danilo (The Merry Widow,) Paris, Frederick (A Little Night Music,) and Frederic (Lakmé.) He received his master’s degree in Voice Performance from the University of Washington in 2006, under the tutelage of tenor Vinson Cole. As a chorister, he has sung with such groups as Seattle Opera, San Francisco Concert Chorale, Opera Festival of New Jersey, Princeton Pro Musica, and Rutgers Collegium Musicum. He currently studies voice with Sheri Greenawald.

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Ben Jones, Tenor Section Leader
Ben Jones holds a B.A. with high distinction from the University of Illinois and is currently working toward an M.M. in Voice at the San Francisco Conservatory of Music, where he is the recipient of a major talent scholarship. Jones has appeared as a soloist in concert with the Shola Cantorum at both Notre Dame des Victoires and St. Dominic's Catholic Church in San Francisco, as a section leader and conductor with the University of Illinois Varsity Men's Glee Club, the acclaimed comedy octet: The Other Guys, which he directed in its 35th year in 2004, acclaimed soloists Alex DiFulvio, Ricardo Herrera and Nathan Gunn, and in workshop with Andrew Gant, director of the choir at the Chapel Royal of St. James' Palace, and Nico Castel, head coach for the Metropolitan Opera in New York. Roles Jones has performed include Charlie (Mahagonny Songspiel), Pepe (La Vida Breve), King Theseus (Enescu's Oedipe), Tobias (Sweeney Todd), and The Dying Swan (Carmina Burana).


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Lauren Groff, Alto Section Leader

Mezzo-soprano Lauren Groff is a 2nd year master's student at the San Francisco Conservatory of Music.  She holds a B.A . in Music from California Polytechnic State University, San Luis Obispo, and a minor in English.  She held the title of alto section leader for 2 years at the Idyllwild Arts summer program, under the tutelage of Grant Gershon, and was the alto section leader of the Cal Poly PolyPhonics.  Last year, Lauren created the role of Claudio in the world premiere of Silla by Handel, was the mezzo soloist in the Mozart Grand Mass in C minor, performed the roles of Hansel in Hansel and Gretel, and Hippolyta in A Midsummer Night's Dream.  Lauren's upcoming engagements include Meg in Mark Adamo's Little Women , and Lidio in Cavalli's L'Egisto. Lauren is privileged to study with mezzo-soprano Catherine Cook.

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Kaileen Miller, Soprano Section Leader

Kaileen Miller, lyric soprano, is a second year Master's student at the San Francisco Conservatory of Music, where she studies voice with mezzo-soprano Catherine Cook.  Her recent operatic roles include Fiordiligi (Cosi fan tutte) and Helena (A Midsummer Night's Dream).  She received her undergraduate degree from Whitman College, where she performed the roles of Yum Yum (The Mikado) and Rowan (The Little Sweep). She is an active singer in the Bay Area and in addition to singing with the San Francisco Concert Chorale, she has also worked with the Valley Concert Chorale, Les Choristes at Notre Dame des Victoires, and the Schola at the National Shrine of St. Francis of Assisi.



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SFCC Membership

2007 - 2008 Season

Soprano Alto Tenor Bass
Caroline Damsky
Nina Dessart
Leslie Golden
Debra Greenblat
Siina Haapenen
Hallie Holtzman
Meg McGinty
Kaileen Miller
Betty Pun
Alison Skalet
Suzanne Young

Betsy Baumgardner
Lauren Groff
Lisa Haley
Susanne Johnson
Dawn Mulliken
Julie Salazar
Allison Waterworth
Amy Worden
Megan Wright
Keary Brink
Ben Jones
Abhi Katyal
Doug Taggart
Scot Meacham Wood


Michael Beetham
Jeff Crandall
Ray Descilo
Don Mulliken
Don Plondke
Peter Sargent



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